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Saving and Restoring the Historic California WPA Mural, Richmond – Industrial City

You’d think that Victor Arnautoff, art director of the large-scale murals at Coit Tower in nearby San Francisco and a protégé of Diego Rivera, would command some respect. But even an important oil on canvas (wall) mural, commissioned by the U.S. Treasury Department’s Fine Arts Section for the post office in downtown Richmond, California, painted by Arnautoff in April 1941, was unceremoniously pulled from the wall.

Records show that during the rebuilding of the post office lobby, the historic 6′ 6″ X 13′ 4″ WPA mural depicting prominent people and places in Richmond… was not considered at the time. historically important… and Arnautoff was a prominent figure in the New Deal art projects, a national federal program!

Apparently it languished, undetected for almost half a century in the basement of the building. Then, in 2014, staff at the Richmond Museum of History and Culture learned from longtime member Fran Cappelletti that the mural once graced the post office lobby. Executive Director Melinda McCrary has taken up the hunt for this important big picture that has been “lost”. Her search led her to the janitor at the post office and they found a huge triangular crate in an unlit room whose label clearly identified it as the missing mural. This was exciting!!

While knowledgeable museum staff appreciate this, getting the USPS authorities to act was another matter. Floods in the basement also had to be dealt with! When the crate was finally opened, there was a collective sigh of relief as they realized that although there was a water stain on the outside of the crate, the mural scroll appeared intact.

No controversy about this once-missing Arnautoff mural

While the recent controversy surrounding the San Francisco Medical Center mural over whether to save valuable, historic murals from the same period as this Arnautoff mural, there is no doubt that the city’s heritage is documented at the Richmond Museum of History and Culture, and it is a legacy of valuable public art. The active history museum did not adopt lazy fundraising techniques, but by thinking outside the box, implemented a vision of community participation that was fun and educational.

On Tuesdays, October 20th and November 10th, Scott M. Haskins, the art conservator selected to restore the mural, in collaboration with the Richmond Museum, will present a Zoom webinar that will not only show the community interesting aspects of this history and restoration, but also provide a super interesting educational presentation on what participants can do themselves to “save their stuff” or preserve collectibles, heirlooms and family heirlooms at home or in the office. Mr. Haskins is a world renowned author of several books on the subject and makes it a lot of fun.

“This is a compelling work that captures the diversity of Richmond’s blue-collar community,” says Melinda McCrary, the museum’s executive director. “The wide variety of occupations, ethnicities and scenery shows what life was like at the time. Richmond was a working-class American community.” It is a celebration of life that was specially created for this community.

When Arnautoff, a Russian by birth, painted the mural, he was one of the most prominent and influential members of the San Francisco art community. Between 1932 and 1942 he completed 11 public murals, the most famous of which is City Life (1934) at Coit Tower in San Francisco. The Richmond Post Office mural was Arnautoff’s last mural of this size and the first time since the Coit Tower that he chose to depict a mix of urban people going about their daily tasks. His mural depicts life in Richmond since 1941 – when America was on the brink of World War II.

Restoring an Art Treasure: The Richmond Industrial City Mural

The striking WPA mural was eventually declared lost after it was unceremoniously removed from the historic post office in the 1970s. After it found its home at the Richmond Museum of History and Culture under the enthusiastic care of Director Melinda McCrary, great efforts were made with museum management to find a mural expert to preserve, restore and install the mural for the enjoyment and education of generations. Come.

Scott M. Haskins, art conservator and author, and his team at Fine Art Conservation Laboratories were selected as the “A” team. All mural conservation treatments are done with the idea that the mural will last for generations into the future. When a paint shop tells you about their best paint quality, they mean it will last 10 years. We think in terms of generations, centuries. Everything we do has the long-term future in mind,” says Haskins.

He is careful to point out that they (art conservators) are not artists and do nothing creative. What they do is painstaking work that requires some detective work to find out how and why the original materials used in the painting decay and how they respond to conservation treatments. “The process of art conservation involves knowing how a work of art responds to the environment.” Haskins and his team were trained decades ago in Italy and have an impressive history of experience restoring valuable artwork and murals here in the US.

He points out that the government’s goal in funding art like Arnautoff’s was

establish a legacy. “It was meant to be an artistic imprint of our community,” he says. “From a social conscience point of view, it’s definitely worth saving.”

While “restoring” art might lead one to believe that restorers are painting something, Haskins says they don’t even have oil paints in their lab. Instead, they work with a special paint that is made for art conservation that can be easily removed if needed in the future without damaging the original. They use cotton buds and work on one color, one spot at a time. They treat it with a very small brush with several bristles, one dot of color at a time. They then custom apply the lacquer in many very thin layers, first with a brush and then with a spray gun so that it is very even.

Haskins says the Richmond mural looks visually in good shape, but “the drama and traumatic effect of taking it off the wall has taken its toll.” Especially since the glue used at the time is rock hard. And the mural needs cleaning. “We want to have zero impact on causing more stress. We need to stabilize or cancel the stress in the painting from the past,” he says.

Richmond’s Arnautoff mural presents interesting conservation and restoration challenges. Haskins says there were many new inventions around World War II, and the war brought about new technologies: paints and varnishes, glues, resins, like for battleships, radiators, new building supplies, etc. “If artists found a spare can of paint around, they used it. When we get down to our tediously demanding work, we do not discount the fact that the artist may have used some random, non-artistic substance like paint. We are very vigilant.’

Haskins shares Melinda McCrary’s commitment to preserving the mural: “The idea of ​​preserving our heritage and understanding our legacy is very important to the community,” she says. “Richmond doesn’t have a famous cathedral, but we have things that trigger or ‘trigger’ our memory. People tell stories that perpetuate the value and importance of a time. And this mural is not just a decoration or like a picture in a book. It’s a panoramic view of a memory jog .”

On two Tuesdays, October 20th and November 10th, Scott M. Haskins, in partnership with the Richmond Museum, presented a Zoom Webinar to not only show the community interesting aspects of the history and restoration of this mural, but also provide a super interesting educational presentation. about what participants can do themselves to “save their stuff” or preserve collectibles, heirlooms and family heirlooms at home or in the office. Mr. Haskins is a world renowned author of several books on the subject and made the learning process a lot of fun.

The restoration of Richmond Industrial City was completed in October 2020.

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